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The way you make me feel

by Vanessa Rossetto

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drone2805
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drone2805 how do you feel when urban chaos grows in your head until confusion? And what impression does he leave when he abruptly stops? Are you alone in the crowd, and still dwells when you are alone. There are times when memory and consciousness get confused in an urban environment. And this is how I conceive of this effervescent amalgamation offered by Vanessa Rossetto, another artist who deserves her place in the label unfathomless. Favorite track: I cut my own.
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  • Compact Disc (CD) + Digital Album

    Glass mastered CD. Packaged in clear vinyl sleeve with folded insert on 300gr matt offset paper. Includes an additional art card on 300gr matt coated satin paper. Limited edition of 200 hand-numbered copies.

    Includes unlimited streaming of The way you make me feel via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 200 

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 84 Unfathomless releases available on Bandcamp and save 40%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of the scaffold, Asphalt/Concrete, con richard (por la adversidad a las estrellas), registro de piedra, peregrination, des-illusions, faux naturel, crawlspace, and 76 more. , and , .

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1.
I cut my own 09:14
2.
Sleep edit 13:55
3.
4.

about

In fall 2014, I spent some time in New York City in preparation for a performance. During this time, I recorded as close to continually as I could given normal human and mechanical shortcomings – an SD card runs out of room, a battery dies, a person wakes too groggy to check the recorder or, in a flurry of activity, leaves it dormant. After a time, you start to forget the device is even there which is of course the purpose but also interacts in its own way with the frailties of human memory – if you forget it’s there you forget to check to make sure it’s functioning properly. Despite all that, at the end of the allotted time I was left with a large volume of recorded material that took me longer than I’d have liked to comb through, sort, assess and determine a structural framework around which I could wind bits of this straw into something resembling a form. In all this record of whirlwind events, I found myself most drawn to the moments at rest, in between overt actions and dialogue, and it was out of these that I constructed the majority of these pieces. It so happened that during the time of recording I was already collapsing into an unprecedentedly long, deep and unbroken depressive state. As so often can happen, the document I had planned to make and set out to make is not the one I ended up making. It couldn’t be. I believe that is reflected in the decision to form these pieces out of the absences and interstices – the pauses, misfirings, missing pieces, long sleeps and synaptic gaps and, of course, the way they make me feel.

(Vanessa Rossetto, April 2016)

credits

released June 9, 2016

LOCATION : New York City
Recorded October 17 - November 5 2014.

Mastered by Joe Panzner.

Cover design & treatments by Daniel Crokaert.
Based on photos & scans of old things found while clearing a house, and photos by Vanessa Rossetto

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Unfathomless Brussels, Belgium

a thematic ltd series focusing primarily on phonographies reflecting the spirit of a specific place crowded with memories, its aura & resonances and our intimate interaction with it…

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