strata

by Tarab

/
  • Compact Disc (CD) + Digital Album

    Glass mastered CD. Packaged in clear vinyl sleeve with folded insert on 300gr matt offset paper. Includes an additional art card on 300gr matt coated satin paper. Limited edition of 200 hand-numbered copies.

    Includes unlimited streaming of strata via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 200 

      €12 EUR or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €7 EUR  or more

     

  • Full Digital Discography

    Get all 62 Unfathomless releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of being there, something veiled, Mountains and Waters, Woodland Sigil, Tombland, reclaim, Bourdon du Kinzie, our seasons reverse, and 54 more. , and , .

    Purchasable with gift card

      €303.80 EUR or more (30% OFF)

     

1.
34:09

about

Strata has been constructed from recording made in a series of vacant lots and their immediate surrounds in the north-west of Melbourne. These vacant lots are backed onto by various factories and warehouses on one side and a train line and Moonee Ponds creek (perhaps more aptly described as a concrete storm water drain) on the other. Running some 20 meters above all this is a large multi-lane highway overpass. This area has interested me for some time, the creeks and their walking paths act as a thoroughfare of sorts somewhat removed from the rest of the city. Somewhere to move through but not to stop and spend any real time. This collection of empty lots in particular has become an overlooked pocket, acting as a trap and dumping ground for rubbish or as a safe out of the way location for homeless people to live. It is a place where the industrial meets nature to create a zone which is strangely neither. It has a odd feeling of emptiness while being both sonically and physically dense with traffic noise, over grown weeds, hidden dwellings and rubbish.

As discussed in the introduction to Francesco Careri’s book Walkscapes: Walking as an Aesthetic Practice (Editorial Gustavo Gili, 2002) there is a common held view of the urban landscape as full with small pockets of emptiness (be it parks or demolition sites), as opposed to the rural landscape which is seen as empty with small areas of density. A view which holds within it much of the associated baggage regarding centres, peripheries and social marginalisation. What is thought of as empty is often simply that which is not seen or heard, the majority of people wilfully choosing to ignore. As for many others, these areas of cities hold great fascination for me, acting as a sort of hidden zone, full of the traces and debris of various past and present human activity, whether commercial, domestic or nefarious. All the while being slowly eroded by weather and reclaimed by the now unrestrained plant and animal life.

Rather than attempting to document this location I set out to construct a sound piece from the place itself through my direct interaction with it. Somehow collecting together all the existent traces I could unearth to form the work. Not only through walking, observing and recording the various areas and sounds but also by crawling and scratching around in the dirt; sifting through the piles of discarded objects; listening to the solid vibrations of the concrete pylons and traffic noise from inside the creek; by burying microphones and dragging them through the dirt and rubble. Strata attempts to respond to ideas of urban density and emptiness, and to show how these states blur and overlap each other. I have tried to highlight the small hidden details and with them create a condensed hyper-real version of my many wanderings through this area. But perhaps more simply put, Strata is the result of a process of attempting to, if only fleetingly, inhabit somewhere. To see, hear, smell and touch it.

(Eamon Sprod, September 2013)

credits

released November 28, 2013

Location : a series of vacant lots and their surrounds which back on the Macaulay Station and Moonee Ponds Creek, North Melbourne, Australia.

Recorded and composed 2012-2013.

Cover design & treatments by Daniel Crokaert.
Based exclusively on photos by Eamon Sprod.

license

all rights reserved

tags

about

Unfathomless Brussels, Belgium

a thematic ltd series focusing primarily on phonographies reflecting the spirit of a specific place crowded with memories, its aura & resonances and our intimate interaction with it…

contact / help

Contact Unfathomless

Streaming and
Download help

Shipping and returns

Redeem code

If you like strata, you may also like: